Room 50--Slip slidin' away	Room 51--Voices as instruments	Room 52--Minimally invasive	Room 53--Sometimes it quacks like a duck	Recess 11--Animal Farm
Room 54--The Melisma	Room 55--A memorable character	Room 56--How low can you go?	Room 57--Take your drum and beat it!	Room 58--Time to show off your chops
Recess 12--Relax with Vangelis	Room 59--A beautiful use of the orchestra	Room 60--Introducing the VIOLA	Room 61--When a hand won't work, use a fist!	Room 62--Jazzy trumpet
Recess 13--Chant goes pop!	Room 63--A subtle hint from Haydn	Room 64--Are you going crazy or is it a fugue?	Room 65--Caveat re: conducting	Room 66--Making it up
Room 67--Blurring historical lines	Room 68--Streisand stretches	Room 69--The Flute	Room 70--Voices 8 x 5	Room 71--Thoughts of Esa-Pekka Salonen
Room 72--Glenn Gould practices	Room 73--Getting to know Indian music	Room 74--Let's be Frank	Recess 14--Mylène Farmer	Room 75 Shape-notes
Room 76--Tremolo	Room 77--How suite it is!?	Room 78--Music joined with literature	Room 79--50 fingers, 88 keys	Room 80--A great guitarist meets a great pianist
Room 81--Understanding sonata form	Room 82--A giant of music	Recess 15--LAURIE ANDERSON	Room 83--André Watts speaks	Room 84--Wild and crazy instruments
Room 85--A forgotten virtuoso	Room 86--An improvement on Mozart	Room 87--Tears and laughter	Room 88--Under construction	Room 89--Under construction